I make imagesthat move...even when they’re still.

Cinema came first. The pull of a dark room, a wide screen and a story unfolding one image at a time became an interest in how films are actually built: writing, directing, framing, rhythm and the invisible precision of editing.

That curiosity has grown into a multidisciplinary practice. My experience spans narrative shorts, documentary-style commercial work, portraits, products, architecture, podcasts and social series. I like moving between disciplines because each one sharpens the others: photography makes my frames more deliberate; editing makes my shoots more efficient; writing keeps every choice anchored to a point of view.